Color Theory - Goethe
In this work, he draws on his personal background as an artist and writer who deals with sensory data as aesthetic elements rather than purely material manifestations, in order to address and discuss Newton's conception, which encouraged the emergence of a reductionist physical environment that attempts to dismantle perceived phenomena instead of treating them as an integrated entity, and deprives the impressionistic and sensory aspect of any scientific value, even in the world of physiology.
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Category: Thought and Philosophy
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Number of pages: 291 pages